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PANCHATANTRA REVISITED Introduction The art of story telling is perhaps as old as the human existence. It has evolved with the growth of the mankind as a social creature and has taken different modes of expression.

A story has the dual purpose of entertaining people and giving them some thoughts to ponder upon. Thus it has two parts, the narrative and the ideas that it wants to convey, the first being overt, the second covert. Panchatantra is a collection of stories that ostensibly transpose the two parts, since it is stated in the very beginning that the stories were intended to make three wayward princes learned and wise in the ways of conducting themselves in the prevailing social environment. Still the ideas behind the narratives remain covert and subtle. It is the oldest extant collection of stories in the world, yet the ideas and life strategies laid down in them are as relevant today. The immense popularity of the book is demonstrated by the fact that it has been translated into more than fifty languages.

Panchatantra has been widely acclaimed as childrens book partly because of its origin but largely because the characters in the stories are mostly animals although with human traits. It has certainly served the purpose of entertaining and educating children through the ages. But the ideas expressed in the stories are as useful, if not more, to grown-ups.

Kannada Moral Stories: Read all kids moral stories in kannada, ಕನ್ನಡ ನೈತಿಕ ಕಥೆಗಳು, kids panchatantra stories in kannada & many more in Vijaya Karnataka.

It is one of the few books on niti-shastra in classical Sanskrit literature. The word shastra means a branch of knowledge and niti means manner of proper conduct in a social environment. So it represents a branch of knowledge that is more appropriate for grown-ups even though the narrative of the stories may seem to be more suited to children. The other reason for using animals as the main characters is more subtle. If we take the view of the modern theory of evolution, there is an ascending order that goes from the lowest form of life to the highest. Man is currently at the highest rung of the evolution ladder but it does not mean that it is the highest stage of evolution even though he may think that way.

Man is just a social animal even if a thinking and speaking one. In his physical nature he is still an animal because in his material habits and instincts he behaves like one. So man has yet to evolve to a stage where he remains man in his external form but his consciousness rises to such a level that he recognizes his oneness with the universe and the concept of superiority and inferiority ceases to exist. The use of animals as main characters in the stories underscores this point. The purpose of the present version of the book is to narrate the stories and then to elucidate the tenets of niti-shastra expressed through them.

They do not deal with ideals or philosophy but with practical ideas of how to lead a successful and comfortable life in any circumstance avoiding the pitfalls commonly encountered. The starting premise of the book is that knowledge and wisdom are two different things.

Knowledge is vast and rational; there are many branches of knowledge and it takes a long time to learn thoroughly even one. Wisdom is intuitional; it can appear in a flash and is useful in all walks of life. The stories in Panchatantra deal with worldly wisdom needed for survival and prosperity. In reading a translated book the reader should also be aware of some inherent limitations of translation. A language is closely related to the culture and, therefore, has nuances unique to the particular culture. A language can be translated but not the culture.

Quite often a particular word of one language has no equivalent single word in another. This is particularly true for translating Sanskrit literature into English. A word can have several different meanings depending on the context and even then it may not be possible to determine the meaning or even the context unambiguously. For example let us consider the word tantra in the title of this book. It has been translated differently by different translators and none can be categorically said to be wrong.

A characteristic of stories in Sanskrit literature is that the names of the characters whether animals or human, have meanings closely associated with the characters role. To translate these names makes no sense and it is better to leave the proper nouns as in the original. This is especially true in the case of Panchatantra. At the very beginning of the story in the First Tantra we come across the name of the merchant Vardhaman. Then come the names of two bulls Sanjeevak and Nandak before the lion Pingalak and the jackal brothers Karatak and Damanak are introduced.